StudentShare
Contact Us
Sign In / Sign Up for FREE
Search
Go to advanced search...
Free

Baroque Period - Research Paper Example

Cite this document
Summary
The essay analyzes "Baroque Period" in the context of music. The minor composers of Baroque who contributed to greater music landscape include Johannes Nucius, Heinrich Schutz, Clamor Heinrich Abel, Johan Joachim Agrell and Johann Friedrich Agricola. …
Download full paper File format: .doc, available for editing
GRAB THE BEST PAPER93.5% of users find it useful
Baroque Period
Read Text Preview

Extract of sample "Baroque Period"

? Contributions of Baroque Period Musicians to the Greater Landscape of Music and Contributions of Baroque Period Musicians to the Greater Landscape of Music Introduction The Baroque period was characterized by artistic style and utilization of exaggerated motions and easily interpreted details in producing drama, exuberance, literature, dance and music. The Baroque style was originally adopted in Rome and Italy during the 1600s, and spread to Italy and Europe, especially in Germany (Carl and Charles, 2009). The dramatic style of Baroque art acted as a means of impressing visitors and expressing triumph. The class of aristocracy constructed the Baroque places around the entrances to courts, popular staircases, and reception rooms. Germany saw widespread of Baroque musicians from areas such as Dresden, Hamburg and Berlin (Bailey, 2012). The minor composers of Baroque who contributed to greater music landscape include Johannes Nucius, Heinrich Schutz, Clamor Heinrich Abel, Johan Joachim Agrell and Johann Friedrich Agricola. Clamor Heinrich Abel Clamor worked in Kothen as a court musician and an organist in Celle. He became ducal chamber musician in Hanover from the year 1666 (Walter, Murray, and Simon, 2001). Clamor Heinrich Abel made a series of compositions and musical guidebooks between the year 1694 and 1696 when he was Obermusicus in Bremen. His best works of music include various compositions for chamber music and string orchestra. Clamor composed a collection of fifty-nine individual works under the heading Erstlinge musikalischer Blumen, which included works for four instruments, allemandes, preludes, sonatinas, courantes and sarabandas (Martyn, 2000). Initially, Clamor’s musical works were published in three separate volumes, and later they were combined into Drei Opera musica (Walter, Murray, and Simon, 2001). Clamor is considered the inspirer of violist and violinist Ferdinand Abel Christian and Carl Friedrich and Leopold August, who were both viol virtuoso and composer. Johan Joachim Agrell Johan was a minor German Baroque composer. He was a violinist in 1934 and travelling to several countries including England, Italy, and France to perform and train violinists. Johan became a Kapellmeister in Nuremberg in the year 1746 (Agrell, 2011). He was in charge of music making in chapels, choirs, and orchestras. As a Kapellmeister, Johan wrote occasional vocal works and several harpsichord concertos, sonatas and symphonies. Johan’s symphonies contained two to three episodes or movements featuring sonata principles (Martyn, 2000). Harpsichord concertos were musical instruments played by means of a keyboard. Most of his works were published and sold in various markets where other musicians used them as guides for their music endeavors (Agrell, 2011). Johan was a fluent Baroque composer in the gallant style of North German during his time; he was also a widely accepted musician and conductor. Johan’s contribution to musical landscape is evidenced by the composition of twenty-two symphonies that gained popularity in the music industry and among trainers and trainees. Johannes Nucius Johannes Nucius was a Germany composer of the late Renaissance and early Baroque period. Nucius was a talented composer who penned an influential treatise in applying rhetoric in compositional devices; his works of art shows an influence of Lassus. Among his publications, include two collections of motets, which contained a total of one hundred and two pieces, and several masses (Lambert, 2004). The works of Nucius that were published in Leibnitz and Prague were homophonic with an abundance of expressive devices; he later described the application as Musices poeticae in his major treatise. Nucius’ fame that lasted until the 18th century arose from the Musices poeticae. This treatise was the most influential among the three of the famous German Baroque treatises such as the Syntagma musicum (1618), Critica musica (1722-1723) and Musicalisches Lexicon (1732) (Lambert, 2004). As a critical guide to composition, Musices poeticae primarliy focuses on counterpoint. Musices poeticae comprises of nine chapters that cover a variety of topics such as the definition of music, explanation of sound, concords and discords controls, consonance-dissonance succession, modes of music, cadences, and proper strategies of composition for diverse number of voices. The seventh chapter lists specific musical devices that can be used to express different feelings. Musices poeticae was the first in German Baroque in comparing musical devices with devices of rhetoric. Johannes Nucius’ definition of music and sound provided a critical description of music, which led to a clear understanding of the meaning of music among the musicians and the public (Burrows, Wiffen, and Ainsley, 2012). Nucius concentrated on dissonance-consonance succession with the objective of highlighting rhyming schemes and the importance of having regular number of syllables in every line of the stanza in a song (Agricola, Baird, Agricola, Johann and Baird, 2006). Musical modes introduced by Nicius contributed to composition of songs by emphasizing on scale and characteristic melodic behaviours. The most significant contribution of Nucius to music was the concept of rhetoric. Nucius represented an aspect of early Baroque practice; however, he concentrated mainly on the distant past for his examples on musical rhetorical devices (Wistreich, 2011). The book by Nucius is based on writings of earlier artists, but the section on rhetoric is original and portrays the rapidly changing practice during the Reconnaissance-Baroque styles transitional period. Heinrich Schutz Heinrich Schutz was a German composer up to the year 1672. Heinrich was considered the most important German composer and organist during the 17th century. He was the first musician to write German opera, which was performed at Torgau in 1627 (Spagnoli, 2005). Heinrich introduced the idea of Sachsische Staatskapelle Dresden in 1548, which remained in fashion in Dresden for several years. Staatskapelle Dresden was an orchestra based in Dresden, German with the venue at Semperoper opera house. Heinrich Schutz concentrated on the sacred music that ranged from solo voice music with the accompaniment of musical instruments to a cappella choral music. A cappella is specifically solo or group songs that are performed without accompaniment of musical instruments. The earliest composers of a cappella intended to show a distinction between the Renaissance polyphony and Baroque styles. A cappella was performed mainly in a manner of church or chapel or gospel music and choir (Lambert, 2004). Heinrich Schutz introduced the concept of singing in gospel hymns without using musical instruments. He is also the origin of solo songs that are performed in the church by individuals during the service or competitions. Heinrich Schutz wrote three books featuring music: Symponiae sacrae, the Psalms of David and the Seven Last Words on the Cross (Herbert and Wallace, 2011). His music started early in the most progressive styles and grew into a style that was simple and austere. Heinrich Schutz was one of the last composers to write in modal style. He introduced the concept of contrapuntal alignment of voices instead of using harmonic motion. Most of his music was featured with strong tonal pulls when approaching cadences. Heinrich also introduced the concept of imitating other people’s music, but structuring them in a way such that successive voices do not enter after the same number of beats (Lambert, 2004). Heinrich Schutz contributed to the greater musical landscape by publishing more than five hundred music works containing multiple pieces of music that guided upcoming musicians several years following his death. Johann Friedrich Agricola Agricola was a German singer, composer, pedagogue, organist, and writer on music. Johann Friedrich Agricola was once recognized as one of the most skillful composers and organists of his time. He composed the comic opera, II filosofo convinto in amore, which was performed at Potsdam in 1750 (Kallen, 2013). This comic opera was widely recognized and led to his appointment to the court composer to Fredrick the Great. When Carl Heinrich Graun died in 1759, he was promoted to the conductor of the royal orchestra (Paul and Kim, 2000). As a conductor, he trained and gave shape to the opera of the time. Agricola wrote a number of Italian operas, chorale preludes, keyboard pieces and church music, which marked his great contribution to the music industry. Conclusion The Baroque period was characterized by extensive music composition and performance. The musical activities during the Baroque occurred in Germany in centres such as Dresden, Leipzig and Berlin. The Baroque musicians were dedicated towards discovery of new music designs and compositions through creativity with the objective of gaining popularity. Some minor composers worked as individuals, while others worked for courts and agencies as composers and conductors. The most notable Baroque period composers were Johannes Nucius, Heinrich Schutz, Clamor Heinrich Abel, Johan Joachim Agrell and Johann Friedrich Agricola. All composers made remarkable contributions to the greater musical landscape through their creativity and innovative works. References Top of Form Bottom of Form Agrell, J., 2011. Orchestral works. Korschenbroich, Germany: Aeolus. Agricola, J. F., Baird, J., Agricola, Johann F., and Baird, C., 2006. Introduction to the Art of Singing by Johann Friedrich Agricola. Cambridge University Press. Bailey, G. A., 2012. Baroque and Rococo. London: Phaidon. Burrows, J., Wiffen, C., and Ainsley, R., 2012. The complete classical music guide. London: DK Pub. Carl, K. H., and Charles, V., 2009. Baroque art. New York: Parkstone International. Herbert, T., and Wallace, J., 2011. The Cambridge companion to brass instruments. Cambridge: Cambridge University Press. Kallen, S. A., 2013. The history of classical music. Farmington Hills, Mich: Lucent Books. Lambert, G., 2004. Return of the Baroque: Art, theory and culture in the modern age. New York: Continuum. Lambert, G., 2004. The return of the Baroque in modern culture. London: New York. Martyn, B. (2000). Rachmaninoff: Composer, pianist, conductor. Aldershot, Hants, England: Ashgate. Parker, E. J., and Sheppard, L., 2007. Piano pedagogy: A practical approach. Surrey, B.C: Longbow Pub. Pauly, R. G., and Kim, H., 2000. Music in the classic period. Seoul, Korea: Dari Press. Snodin, M., Llewellyn, N., and Victoria and Albert M., 2009. Baroque, 1620-1800: Style in the age of magnificence. London: V & A Publishers. Spagnoli, G. G., 2005. The letters and documents of Heinrich Schutz, 1656 -1672: An annotated translation. (Volumes I and II). Ann Arbor, Mich: UMI Dissertation Services. Walter, K., Murray, R. C., & Simon, M. V., 2001. Abel. Oxford University Press. Wistreich, R. (2011). Monteverdi. Farnham, Surrey, England: Ashgate. Read More
Cite this document
  • APA
  • MLA
  • CHICAGO
(“Baroque Period Research Paper Example | Topics and Well Written Essays - 1250 words”, n.d.)
Retrieved from https://studentshare.org/music/1489191-baroque-period
(Baroque Period Research Paper Example | Topics and Well Written Essays - 1250 Words)
https://studentshare.org/music/1489191-baroque-period.
“Baroque Period Research Paper Example | Topics and Well Written Essays - 1250 Words”, n.d. https://studentshare.org/music/1489191-baroque-period.
  • Cited: 0 times

CHECK THESE SAMPLES OF Baroque Period

Works of Art in the Baroque period

Works of Art in the Baroque Period are indentified with their apparent and embellished motion.... hellip; Works of Art in the Baroque Period are indentified with their apparent and embellished motion.... The Baroque Period specialized in different styles to produce admirable forms of art.... Among these styles, the most used and appreciated by the public was the baroque works....
4 Pages (1000 words) Essay

The Baroque Period

The essay explores "The Baroque Period".... Throughout examining the various forms of art during the Baroque Period the power and influence of the church was unquestionably one of the driving forces of the era and influenced every aspect of life will be shown.... hellip; On the outside most often described as ornate, even gaudy at times, the Baroque Period is much more complex a period than its outward appearance belies.... Although there were variations of the Opera throughout Europe, including Italy, Germany, England and France, during the Baroque Period, they all contained several interlocking threads: the ornate set designs, beautiful melodies and professional presentation....
6 Pages (1500 words) Essay

Music and Baroque Period

The researcher of this essay "Music and Baroque Period" aims to analyze the music in the era of Baroque.... … The Baroque Period in history refers to the style prevalent between 1600 -1750, and this period in music came immediately after the Renaissance.... Music in the Baroque Period Order No.... of pages: 2 20988 The Baroque Period in history refers to the style prevalent between 1600 -1750, and this period in music came immediately after the Renaissance which was followed by the Classical music era....
2 Pages (500 words) Essay

The Baroque Period

The researcher of this essay "The Baroque Period" provides the Common Characteristics to all the arts in the Baroque Period.... The emotion of the moment was captured as well through the manipulation of light, which is also an attribute of Baroque Period.... Conclusion As the Baroque Period was the time of scientific endeavors, much of the art styles were influenced by the ideals of science.... The Baroque Period is a highlight of art history in its own style....
2 Pages (500 words) Essay

Architecture in the Baroque period

The essay "Architecture in the Baroque Period" explores how did church architecture in the Baroque Period reflect new developments in liturgy and theology.... With reference to time periods, the art forms of the Baroque Period were mainly built in the 17th century.... hellip; The Baroque Period represented a change in art styles that had origins in theology and liturgy.... Since the origins of the Baroque Period can be readily traced to the religious developments during the period, it is also possible to differentiate and isolate that various characteristics of the structures during this period from others....
8 Pages (2000 words) Essay

Early Music through the Baroque Period

The researcher of this essay "Early Music through the Baroque Period" explores The Nature of Music and the Baroque music.... Biebl's Ave Maria was performed by the Ecclesium choir and I found it enchanting with an elegant mood that is both beautiful and soothing.... hellip; This piece was written in 1887 by Nikolai Rimsky-Korsakov and, from listening to it, one gets the feeling of Spanish folk melodies....
4 Pages (1000 words) Assignment

Arts and culture of Baroque period

The essay "Arts and culture of Baroque Period" discovers the Baroque Period in the context of art and culture.... hellip; Baroque Period is a unique and important era for most historians and scholars worldwide.... Baroque Period is mainly characterized by a unique lifestyle, cultural, and economic activities across Europe, which is the reason for the much importance and emphasis on this period.... This period includes both the seventeenth and eighteenth century in Europe....
5 Pages (1250 words) Research Paper

The Baroque Period

The researcher of this essay "The Baroque Period" aims to analyze the art and culture of Baroque.... hellip; During the Baroque Period of the seventeenth century, artists adopted the strategy of creating dramatic pieces of art that were pompous, elaborate, and with special effects.... The Baroque Period During the Baroque Period of the seventeenth century, artists adopted the strategy of creating dramatic pieces of art that were pompous, elaborate, and with special effects....
1 Pages (250 words) Book Report/Review
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Contact Us